Christmas Night Performance in Boston 1941

Christmas, for actors and actresses, is sometimes a celebration fit in between performances. In December 1941, when Pearl Harbor earlier in the month had already established that this would be the first wartime Christmas, Ruth Gordon played the Majestic Theatre in Boston.

From her “My Side - The Autobiography of Ruth Gordon” (Harper & Row, NY, 1976), Ruth Gordon captures a moment.

“Two days of dress rehearsals and open Christmas night…I hurried out onto Avery Street, deep in slush. No empty taxi, a cold rain beating down, dress rehearsal at two-thirty. I rushed along Tremont Street. No need to dodge the puddles; my feet and legs were soaked. I could feel the cold water squish. Only a few blocks, cross Boylston, then up the alley to the Majestic stage door. Just beyond it and across the alley is the stage door to the Colonial. Had Hazel Dawn ever had to run through rain and slush? I was perspiring from having hurried so. What if I took cold? What if tomorrow my voice was ragged? Or gone altogether? All those lines, all those words, all those changes and cuts and additions!”

Opening Christmas night, peace on earth, and anxiety backstage. Always, for the actor, putting one’s career on the line with every show.

“Backstage was taut with excitement, nerves, good wishes. Actors are great. None of us thought the show would make it, but the good wishes didn’t sound like that. One last sip of water, one last trip to the ladies, one last pat of the powder puff, last prayer to God, then wait in the wings. Deep breath. Cue, open the door On! A burst of applause, the first line.”

The play, which she does not name, got bad notices. As Miss Gordon wrote to Orson Welles afterward, “The Mayor of Boston gave me the key to the city, the pubic gave me the gate.”

The second week of performances was cancelled. They took the show on to Philadelphia. In five months, it was back to Broadway for Ruth Gorden in May 1942 with “The Strings, My Lord, Are False.” Directed by Elia Kazan, it ran 15 performances. The same play? Or another opening, another flop? One hopes her shoes dried out from the icy slush of Tremont Street by then.

Upcoming Plays

Here’s brief catch-up on upcoming plays in New England:

At Boston’s Colonial Theatre, the musical “Movin’ Out” with music by Billy Joel, and choreography by Twyla Tharp will be presented from March 20th through 22nd.

At the Majestic Theater of West Springfield, Mass., we have “Bus Stop” by William Inge currently running until April 5th.

Maine’s Portland Stage Company gives us the comedy “Out of Sterno” by Deborah Zee Laufer from March 3rd through 22nd.

The Shubert Theater of New Haven, Connecticut presents the eight-member percussionists with everyday objects and a lot humor, “Stomp” from March 17th through 22nd.

The American Repertory Theatre’s “Endgame” by Samuel Beckett, directed by Marcus Stern is currently running through March 15th. The show stars Remo Airaldi, Karen MacDonald, and Will LeBow. Have a look here for a review by Louise Kennedy in The Boston Globe.

Hartford’s The Bushnell will present the musical “A Chorus Line” from March 24th through the 29th.

Boston’s The Huntington begins “Two Men of Florence” this week, March 6th and runs through April 5th. The play by Richard N. Goodwin is directed by Edward Hall.

The New Hampshire Theatre Project of Portsmouth, New Hampshire presents “Entr’Acte” from March 13th through 22nd, and is a showcase, part documentary, and part variety show featuring historical video footage, new works, and performances by veteran NHTP artists.

From NHTP website:

“Andrew Schwartz, one of NHTP’s original co-founders, returns to Portsmouth with his signature juggling act, featuring comedy, feats of daring, and audience participation. Long time NHTP artist Pat Spalding will present some of her humorous tales and puppets beloved by every generation.

Directed by Meghann Beauchamp, Entr’Acte will also feature new works by Genevieve Aichele and Libby Page, performed by a multi-generational cast including Linda Chase, Robin Fowler, Donna Goldfarb, Libby Page, Colby Senior, Kathy Somssich, Heather Glenn Wixson, and special guest James Patrick Kelly.”

If you have a chance to see any of these shows, stop by and let us know what you think.

Current and Upcoming Plays in New England

Currently (or Soon to Be) on stage in the coming month:

At The Huntington in Boston, Kate Burton and her real-life son Morgan Ritchie face off as the teacher and student in the classic “The Corn is Green” now through February 8th. Here is a review in The Boston Globe, and another review online at the Examiner.

Harvard University’s American Repertory Theater will present “End Game” by Samuel Beckett February 14th through March 15th.

The Majestic Theater of West Springfield, Massachusetts presents the comedy “Lumberjacks in Love” by Fred Alley and James Kaplan until February 15th.

Boston’s Colonial Theater currently features “Frost/Nixon” starring Stacy Keach through February 8th.

The Bushnell of Hartford, Connecticut will present the musical “Jersey Boys” from February 4th through February 22nd.

“Peer Gynt” by Henrik Ibsen opened last night at Maine’s Portland Stage Company, and will run through February 22nd.

If you have an opportunity to see any of these shows, please let us know and share your thoughts.