Showing posts with label Kitty Carlisle. Show all posts
Showing posts with label Kitty Carlisle. Show all posts
Wednesday, July 14, 2010
Heat Wave on Stage in Ogunquit
Reminiscent of our recent heat wave, Ruth Gordon remarks on a week’s engagement in Ogunquit, Maine where she appeared in “Saturday’s Children” in July 1936.
From her autobiography, “My Side” (Harper & Row, NY, 1976):
Hottest July day on record, read the headline in the Portland paper. The matinee had been a boiler, ladies sweated, fanned, sweated. On stage, we sweated.
Ah, those simpler, more rugged days, or How Air Conditioning Has Changed Theatre.
Photographs of the signboard outside the playhouse taking in the 1960s, ‘70s and ‘80s plainly stating the theater is AIR CONDITIONED, under Elaine Cancilla starring in “Can Can”, and Michael Constantine ahd Lawrence Pressman staring in “A Walk in the Woods” and “Yes, There Were Giants” with Kitty Carlisle, John Raitt and Jo Sullivan. You can find these, and a marvelous historical retrospective, in the excellent book “The Ogunquit Playhouse: 75 Years” by Carole Lee Carroll, Bunny Hart, and Susan Day Meffert (Back Channel Press, Portsmouth, New Hampshire, 2007).
Ruth Gordon also appeared in this play at the Cape Playhouse in August 1935, see this previous blog post.
From her autobiography, “My Side” (Harper & Row, NY, 1976):
Hottest July day on record, read the headline in the Portland paper. The matinee had been a boiler, ladies sweated, fanned, sweated. On stage, we sweated.
Ah, those simpler, more rugged days, or How Air Conditioning Has Changed Theatre.
Photographs of the signboard outside the playhouse taking in the 1960s, ‘70s and ‘80s plainly stating the theater is AIR CONDITIONED, under Elaine Cancilla starring in “Can Can”, and Michael Constantine ahd Lawrence Pressman staring in “A Walk in the Woods” and “Yes, There Were Giants” with Kitty Carlisle, John Raitt and Jo Sullivan. You can find these, and a marvelous historical retrospective, in the excellent book “The Ogunquit Playhouse: 75 Years” by Carole Lee Carroll, Bunny Hart, and Susan Day Meffert (Back Channel Press, Portsmouth, New Hampshire, 2007).
Ruth Gordon also appeared in this play at the Cape Playhouse in August 1935, see this previous blog post.
Wednesday, September 2, 2009
Kitty Carlisle On Tour at the High School Auditorium

This program for “The Man Who Came to Dinner” is undated, but could have been about 1949, the year Kitty Carlisle toured in summer stock with this now theatre classic written by her husband, Moss Hart, and his partner George S. Kaufman.
Intriguing in this production is the cast of theatre veterans, and the theater: the auditorium of the Springfield (Massachusetts) Trade High School.
This small brick inner city trade school has long been defunct, but evidently had appropriate facilities for what was billed as the Springfield Drama Festival. The Albert Steiger Company, whose flagship department store was in Springfield, also now defunct, (see this article on Steiger’s in my New England Travels blog), took out a full-page ad. The fox furs worn by Miss Carlisle and Miss Libaire came from another local business, Scott Furriers, and the radio equipment for the broadcast scene was provided by the local downtown radio station, WMAS. In between acts we are encouraged to drink Coca Cola, “On sale ice cold in the lobby.”The program might have the look of a senior class play, but the cast carried a few veterans who’d probably played in more humble venues, and certainly in theaters more grand.

Kitty Carlisle’s career on stage spanned decades, though beyond her few films is probably most remembered for her stint as a game show panelist. She played Maggie Cutler, who is the secretary of the impossible Sheridan Whiteside, played by Forrest Orr. No longer a household name, Mr. Orr made his Broadway debut back in 1907 in the old chestnut, “Captain Jinks of the Horse Marines.” His Broadway career continued through the middle 1940s, and he appeared in the original “Philadelphia Story.”
Kevin McCarthy, Joseph Pevney also had long stage careers, and Dorothy Libaire, who played the gold-digger Lorraine Sheldon had a number of films under her belt by the time this gig at the Springfield Trade School came along.
Harold J. Kennedy, who played the prankster Beverly Carleton, also directed the show and co-produced with Harald M. Bromley.
Summer stock requires one to wear a lot of hats sometimes, and demands a lot of versatility, in cast, and in venue, including a high school stage. Now that it’s September and school is back in session, we conclude our posts on summer stock.
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